When the Words Go on
Strike
I negotiate.
Try to point out
the importance of pace,
that rhyme has its place,
the factors considered
as to where the lines break.
I reaffirm that
all words are equal
in value and
a spot in the title
is not top billing.
I sympathize that
some will be taken out
through the revision process,
but stand firm against
issuing any no-cut contracts.
What do you do when the words go on strike?
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