Showing posts with label Jazz. Show all posts
Showing posts with label Jazz. Show all posts

Thursday, August 6, 2015

Night Music


Night Music

The cats played
through the night.
The sounds were
out of sight.
Tabby beat the drums.
Alley added strums.
Shorthair set the tone
with his saxophone.
Beagle wandered in.
Gave Shorthair some skin.
"OK if I sing?"
"As long as you swing."

This came out of a writing exercise I did with my writers group. The prompt was to write about an animal. One of the members was teasing me and asked that I include a saxophone in my piece.





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Wednesday, April 15, 2015

Wordsmith Studio Homecoming 2015


Wordsmith Studio's 3rd Anniversary continues with Week #2 of our blog hop. This week's prompt relates to the overall theme of the anniversary--Homecoming. The twist for the blog hop is to relate Homecoming to your writing experiences. I'm going to approach this topic using two subjects that I write about frequently--grief and jazz.

I have mentioned before that my poetry writing journey began out of a grief experience. Years before that, I started attending a grief support group. I had never been one to talk about my feelings so I was what is known as a delayed griever. In other words, I had experienced several losses and not really dealt with them.  When my mother died, the pot boiled over and I found a wonderful group, with which I now volunteer (How's that for doing a 360?)

I have told the group a number of times that I firmly believe that I would have never started writing poetry if I had not done the grief work. It taught we the value of telling my story and gave me permission to do so. It also taught me that there are strong emotions tied to many memories and when you go back to those events you may feel those emotions. I learned that that is OK and that I can deal with those situations.

The jazz poetry takes me back in time in a couple of different ways. When I was growing up, television was filled with variety shows and talk shows. Jazz greats like Louis Armstrong, Ella Fitzgerald, Duke Ellington, Count Basie and countless others often were on multiple shows in a week, perhaps even a day. They already were icons. When I watch clips on You Tube,  I have firsthand memories of some of those shows. My interest in jazz also has allowed me to meet some of these performers when they were younger, to learn of their struggles and the contributions that they made to the music to reach iconic status.

Often, I am surprised by the memories that my writing triggers. In fact, I have had one of those experiences during this month's Poem-A-Day Challenge. I'll probably have another before the month is over. That's OK. I've learned to let the writing lead the way.

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I'm going to take next week off. I'll jump back into the blog hop Sunday, April 26.


Tuesday, December 9, 2014

At Any Age


At Any Age

They were older when
I first met them,
singing and swinging
on television.
Louis and Ella,
the Count and the Duke
already had their place
in jazz history.

They were younger
when I met them
again years later,
at kiosks and in films,
in books and on You Tube.
Learning their craft and
creating the sounds
that turned them into icons.

I learned to appreciate them
 at any age.

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Thursday, March 21, 2013

Ella Fitzgerald

As we are nearing the last week of Women's History Month, I am posting a tribute to Ella Fitzgerald. She was known as "The First Lady of Song" and had a long and storied career. She also was a groundbreaker in civil rights and an advocate for children, the disadvantaged and the needy.

Read her biography and I think you will be surprised by some of the things you learn. I was and I summed up my feelings in the following poem:

The Unheard Ella

You’ve heard Ella sing and
you’ve heard Ella swing.
You’ve heard her scat and
her tisket a tasket.
But, do you know
Ella was the first African-American
to do a show at the Mocambo?
That she sued the airline
that said her ticket was declined?
That she helped children galore
and today her foundation
continues to do more?
We will always remember
Ella for her songs,
but let’s not forget
that she was a woman
who helped to right wrongs.
 
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Thursday, August 30, 2012

Jazz Haiku Ensembles

This is the ninth, and final, week of Khara House's Our Lost Jungle Poetry Form Challenge. Thank you, Khara, for helping us learn about both poetry forms and our own writing.

Being the wonderful teacher that she is, Khara had us review all we had studied during the first eight weeks in order to complete this week's challenge. The final challenge is to create a form of our own.

This year, I have found myself reminding people that haiku is an important segment of jazz poetry. To that end, my form is the jazz haiku ensemble. Following are the guidelines:

1. The subject of the poem will be something related to jazz (person, place or thing) or contain elements of jazz.

2.  Each stanza will be haiku and the minimum number of stanzas is two (a jazz haiku duet).

3. I won't hold you to the common 5-7-5 line length, but each haiku may have only 17 syllables.

4. The last stanza must be an American Sentence, which we had to write as part of last week's challenge.

Since August 29 is Charlie Parker's birthday, I wrote the following jazz haiku trio in his honor:



Bird’s Song



I hear Bird’s songs play.
He has been gone a long time,
but never left us.

Silky saxophone.
Bird could make it swing or moan.
Made Bebop the rage.

I wish he had been with us longer in body as well as in soul.
 
 
 
 
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